Regardless of how you feel about Myrkur’s music, Amalie Bruun is an interesting figure. Starting her career as a singer/songwriter and occasional model, she went on to perform in the pop/rock group Ex Cops before deciding her true love was black metal and created the Myrkur identity. While the secret didn’t last very long, the music caught everyone’s attention.
Autumn is here and Halloween is quickly approaching, so my thoughts are beginning their seasonal migration into the darker side of metal. Detroit, Michigan-based death/doom act Temple of Void is back with their sophomore album, Lords of Death. Although this album released in the middle of summer, it slipped through the cracks and I hadn’t thought about it until a friend mentioned it recently.
I’ve been a huge fan of folk metal, Scando-Germanic mythology, and related themes for many years, but there has been a tendency for this type of metal to get stale over the years. Can the Swedes in From North show me something new on their self-titled debut, or will it be another trip across familiar oceans?
No lie — this album might have been my highest anticipated album for 2017. Avatarium’s prior album, The Girl With the Raven Mask caught me by surprise, and I fell completely in love with this band. For anyone not familiar with Avatarium, I’ve often described them as Jefferson Starship passed through a Candlemass filter and fronted by Dreamboat Annie-era Ann Wilson.
Despite what you may be thinking about the hentai-esque cover, Norway’s From Below aren’t a generic pornogrind band. Rather, they are a unique mix of melodic death and groove metal, with shades of hardcore thrown in for good measure, and Undying shows the band is in strong form.
At the risk of ruining any "metal cred" I have with you readers, one of my guilty pleasures is female-fronted Japanese power metal. I’ve covered more than a few of these in the past, but one band I keep coming back to is Aldious. Seventeen months after their last album, the quintet is back with Unlimited Diffusion.
It seems like I’ve been covering various takes on doom metal all year, so how about some good, old-fashioned California thrash for a change of pace? Trio Blessed Curse just dropped their second album, an EP entitled Beware of the Night, and we definitely pick up the pace with this one.
Given there’s a new throwback stoner doom band seemingly releasing an album every day, it seems what was once old is new again. Instead of treading down that old familiar path, the English quartet Lucifer’s Chalice embarked on a different path. Their trek takes them through the glory days of Mercyful Fate, Iron Maiden, Angel Witch, and other metal stalwarts from the late 1970s through the mid-1980s. Throw in some Candlemass-style extended track lengths, and you’ve got their debut album, The Pact.
I’ve made no secret about my love for female-fronted metal bands. My affinity for doom metal/occult rock has been established as well. So when you combine the two, it definitely grabs my interest. I reviewed Psychedelic Witchcraft’s first album, The Vision over on The Sons of Metal Podcast. The band is back not even a year later with a new release, Magick Rites and Spells, which features some songs cut from The Vision, the entirety of their debut EP, Black Magic Man, and two cover songs. Are these equally choice cuts, or merely leftover scraps destined for a doggie bag?
Concept albums can be tricky beasts, and single-song concept albums even more so. The symphonic doom metal duo comprising Cyclocosmia seek to invoke images of live-buried vestal virgins with their new EP, Immured.